April 2025
Dedicated to Art and Social Justice
New Posts Published Weekly on Mondays - New Cover Monthly
How Long Can You Hold a Lion on a Leash?
Demonstrators march in Manhattan in just one of the nationwide protests against Donald Trump and Elon Musk on Saturday.
Photo: Charly Triballeau/AFP via Getty Images
I made this drawing, “How Long Can You Hold a Lion on a Leash?” on July 11, 2020, amidst a coagulation of several events. Covid-19 was spreading rapidly, filling hospitals across the world past capacity. In the U.S.A., shootings in Chicago, Atlanta, and Washington DC left 3 children under 12 dead, among many others killed and injured by mass shootings and gun-violence around the country. Black Lives Matter protests and marches were active across the nation.
Meanwhile, Trump held a July 4th rally at Mt. Rushmore where masking was actively discouraged. In his speech, he stated, "In our schools, our newsrooms, even our corporate boardrooms, there is a new far-left fascism that demands absolute allegiance. If you do not speak its language, perform its rituals, recite its mantras, and follow its commandments, then you will be censored, banished, blacklisted, persecuted, and punished."
But he followed this statement by saying, "...I am deploying federal law enforcement to protect our monuments, arrest the rioters, and prosecute offenders to the fullest extent of the law...Under the executive order I signed last week — pertaining to the Veterans’ Memorial Preservation and Recognition Act and other laws — people who damage or deface federal statues or monuments will get a minimum of 10 years in prison," revealing his true desire: the totalitarian domination which he had just stated was fascist and anti-American.
5 years later, we see that continues to be his desire. This drawing was made to invoke the idea that such domination can only last so long. I hope by using the Black Power fist and the image of one of the great African mammals, the lion, I invoke, in particular, the mission of the Black Lives Matter and Black Power movements. Nature will eventually break free.
Zachary Charles (they/he) is a poet who currently lives near Alki Beach, West Seattle with their partner, cat, and dog. They teach Spanish on Vashon Island. Their poetry practice consists of a few pieces: portraits, conversations, and an ongoing effort to compose 10,000 haiku. They are a member of the Cascadia Poetics Lab Youth Committee and Poetry Postcard Fest Project Board. In addition to poetry, they spend creative time on multimedia collage and paintings, and love combining visual art with language art.
Thousands of protesters marched in Portland, Ore.,
protesting President Trump's administration, April 5, 2025,
part of "Hands Off" protests taking place around the country.
Photo: Joni Auden Land/OPB
We are an artistic community that recognizes the intersectionality of all injustices
and believes that art is essential to social change and more justice.
By Mary Anna Kruch
(The Capitol Building ~ Lansing, MI ~ March 23, 2020)
The sky has gone indigo and
birds have long stilled their songs;
under the darkening sky, stars wink out.
Perhaps the birds and sky
are also laying low,
trying to expunge the memory
of that angry mob that stormed
the Capitol today, guns drawn,
protesting lockdown,
believing lies spread by a leader
who says the pandemic is fake news.
By Craig Kirchner
First the gun knew,
the hammer, the firing pin,
strikes the primer cap,
detonates on impact, creates a spark,
explodes the shell of gunpowder
generating the power that
propels the bullet.
By Lew Jones
In the valley of sickness
Small- Pox blankets
Free range attrition
Trees again pink white
Where kinder play light
Nation call to arms
Yell to harm
Lands of holy dust
Await condemnation
By Jeanne Blum Lesinski
COVID KILLED US—WE’RE IN HELL
says the sign on the highway.
Seems Frost was right: cold as ICE,
murder twice, and throw away.
Humanity, decency
facing hate, what should we say?
“It’s not too late,” Love whispers.
“True kindness can win the day.”
By Richard Wells
When we were tweens we’d play
the What-Would-You-Do-If game
specifically
what would you do
if the world were about to end.
The possibility was clearly on the horizon
and it was a given that death would come from above
By Becca Lavin
Battle scars are beautiful BE CAUSE
You had the strength and determination TO
Speak your mind NOT
Just for Your Own BUT
For THOSE that were /are AND
Will BE
I am a WOMAN OF
A certain AGE
I lay in the trenches OF
PAST WARS
Won? SOME
By Phillip Shabazz
The body is a code they will not honor.
Aetna sent the form to clear my shelf.
I recognize the diagnosis: 093.0.
This chronic absence is the second self.
Aetna sent the form to clear some shelf.
My fever is a tax on everything I loved.
This chronic absence is the shadow self.
I used to file the claims they now deny.
My fever is a tax on everything I loved.
The body's language: Lyme, and then the blur.
I used to file the claims they now deny.
The only medicine is the debt itself.
By Michael Roque
During a 60-second air raid siren-
Pompeii becomes the norm of society.
With an eruption,
fire flashes across the sky,
bringing shopping bags to concrete,
crawling traffic to stop
and bustling streets to be abandoned for shelters,
where huddling neighbors meet.
boom-
BOom-
BOOM!
Up above.
By Carl “Papa” Palmer
I CAN’T BREATHE - Black Lives Matter rallying slogan in 2020
Thank you was the only response from Mom,
secretary of Gardner Cigarette and Vending,
when the manager of the Tobacco Warehouse
next door delivered me in tow to her office.
He was drinking out of the “Colored” spigot.
You need to learn him not to mix with them kind,
storming out when Mom had no further comment.
By Miriam Bassuk
Vietnam war roared its death dance
from afar, just like now, after we bombed Iran.
Life does go on, and maybe,
we remain impervious,
but somewhere, the wolf howls,
and the splinter in our skin
singes. Hard to push it away.
Great pain from waging war,
By Cheryl Caesar
In our back yard, the snow is thick and smooth
as icing on an Irish Christmas cake. Sweet
enough to burn your tongue. Safe at the window,
we feel no touch of cold.
The evening has gone grey and mauve
as an old children’s book. Deer glide past,
cutouts in a paper theatre. Silently,
without fear; there are no guns here.
By Phillip Shabazz
The riot had no name— the sky cracked its throat on siren-song. Asphalt learned to swallow whole. A sneaker—pink, child-sized—spins mid-air mid-cry mid-century. The streets don't burn. They are burning. They have always burned in the tense I don't teach. Glass doesn't shatter. It speaks in the language of aftermath, in the grammar of never-arrived-home. Listen: a stop sign is a grave marker if I know how to read it.
Aaron. Not theory. Chipped tooth. Tic Tacs rattling in his pocket like dice like a rosary like evidence. They said gun. They said description. They said the footage—but footage is just another word for what we choose to frame, what we crop from the shot. His hoodie too bright. His skin the wrong aperture for mercy. The corner store still hums his laugh back, that frequency the news can't tune to, won't hold, drops like a call from a country with no extradition treaty for the dead. I saw the stain before the story.
By Craig Kirchner
We are born needing food, warmth, direction and love.
No one is born hating, we are trained to hate as
we learn to fear, the dynamics falling like cards
being fanned together, one and the next
and then shuffled, waiting to be cut.
We hate what we fear, fear what we hate,
starting with ourselves, and then spreading over
the rest of our domain into every nook and cranny
like butter on hot toast. We early learn to fear
the hot stove but we don’t hate it.
By Todd Matson
“My house is on fire,”
said the caller.
“All houses matter,”
said the fire station captain.
“My house is on fire,”
said the caller.
“All houses matter,”
said the captain.
By Zach Charles
10 jan 27 yo alki apt 313p
“speak plainly” said the politician
“i can speak no other way” responded the poet
the protests have ramped up
after the murder of Renée Good a white
queer woman
Rep Chuy Garcia IL says don’t
forget
Marimar Marinez & Silverio Villegas Garcia
By Cheryl Caesar
Wednesday they shot the poet in her car.
The bloody airbag hit me in the face.
I pulled in like a tortoise. I dug far
into the frozen ground, as surface air
was roiling with a noxious orange gas.
I dug so deep I had no voice to hear.
By Margaret Roncone
When cedars loosen
their green hold on you
when skylarks write
your name in cursive
across heaven
when red tulips remind
you of the lipstick
your mother wore
when the riling sea
nudges your spirit awake
By Becca Lavin
We haven’t come this far
On legs and shoulders
exposed
to good truths and possibilities
For self determination
To sit down now
To sag with exhaustion at the long,
sure to continue,
niggling at our rights and responsibilities
in the face of greed for power and
whatever else?
You did not sit down nor fail us
You hung on ‘till your
Very last drop
Was spent from you
With the courage and the grace
Of your convictions
And ours
By Craig Kirchner
To conduct a democratic experiment required men,
men of vision and courage, there was comradery and grandeur.
We learned that any humanitarian cause does not include
slavery and we are learning now it does not include cowards.
We are a land of immigrants who were all running from ugly
but are now running ugly up the flagpole to get rid of immigrants.
The spirit that brought our forefathers here is the same spirit
that brings these victims, some of our best citizens now,
who are being attacked in the name of patriotism.
Ugly and crass are embedded. Something disastrous is coming.
Everyone can feel it, everyone knows the fear
they are supposed to. As we prepare to celebrate the flag,
the Liberty Bell looks poised to ring in the unimaginable.
By Christopher J. Jarmick
I load words
into the barrel
of this traceable
but unlicensed
poem.
When I pull the trigger on this poem
the words will hit their target
without any innocent bystanders
being hurt.
It is superior to the gun.
By Todd Matson
The meth-fueled
lab rat is utterly
insatiable.
Can’t refrain
from self-seeking
behaviors.
Has no
frustration
tolerance.
Can’t delay
gratification,
never sleeps.
By Mohamed Mbougar Sarr and translated by Alison Anderson - Europa Editions, 2017
Reviewed by Mary Ellen Talley
The novel, The Silence of the Choir, by Mohamed Mbougar Sarr immerses readers in a tale of 72 immigrant men after they survive their journey from several African countries to immigrate to Sicily. Although this book is nearly ten years old, the story rings true and is relevant for the USA now.
There are many voices in this novel. Early in the story, some residents of Altino, the town that welcomed the refugees, are growing edgy and resentful. They are afraid refugees, the “ragazzi,” (the guys), will take their jobs. Why are the ragazzi given free housing, food, education, and health care when the citizens can hardly afford their own? They are also afraid of possible refugee violence.
By Phillip Shabazz
The night she served us cereal for dinner because the gas was cut off,
she lit candles like it was a birthday party. Said grace over Cheerios.
We believed her when she called it a feast. Seven of us around
that table, bowls chipped at the rim, milk stretched thin with water,
and she sat there smiling like she'd pulled off a miracle. Maybe she had.
By Marjorie Sadin
Behind the curtain is the puppeteer.
At this time, there are arrests we hear about. By people with masks. People disappear. Others lose their jobs. They are the ones who don’t cheer for the puppeteer.
The audience watches the puppets to see what they will do next. It is mysterious how the puppets hold such sway over us. People are frightened by what they see, but it is dark and they are silent for the most part. Occasionally someone protests the puppets and they are dragged out of the theatre.
By Cheryl Caesar
In that oval office, white
and bilious yellow, like the eye
of a jaundice case,
trump crinkles his fat and bleary eyes
for the cameras. His right
hand grabs the left hand
By RW Mayer
So, Tillie. When people ask you how old you were
when you went to your first
protest demonstration—what will you tell them?
You could say that you were in the neighborhood
of 300 days old. You might also tell them
that your mother MADE you go.
Stuffed you into her backpack like a Hoagie sandwich.
By Mary Ellen Talley
I try to stand balanced on one foot
to the count of one hundred.
Granted, I make an unsightly stork.
The stork once brought me two babies
and I try to balance my schedule
that they may know how useful
balance is. I used to agonize
over balancing our checkbook,
but now all is online and I check
our running balance. I don’t run
on hiking trails anymore, not only
for the sake of balance
By Leopoldo Seguel
This is the story of an old man
sitting on the couch with his wife
watching the news, night after night
Listening to people trying to make sense
of the senseless and outrageous
they both like seeing people, lot of people
all across the country, in big cities and small towns
out in the streets, carrying signs,
inflatable costumes, frogs and dinosaurs
pushing back, pushing forward
By Sharon Brown
While they tear things down,
I build
miniature houses,
with little wooden chairs,
gingham curtains and tiny books
on brightly painted shelves.
By Lew Jones
Our new format is to publish weekly posts with a monthly cover art work. We now maintain a collection of accepted submissions available for future weekly posts. Our intent is to be able to more quickly respond to changing world events. So if something is submitted that speaks powerfully to the moment, we may publish that sooner. Please be patient. Once your submission has been accepted, we will post it sometime in the following weeks.
By Lew Jones
Accomplished
Watercolor by Michael Moreth
By Lew Jones
Boisterous
Watercolor by Michael Moreth
By Lew Jones
Easement
Watercolor by Michael Moreth
By Rick Ells
The Wind is gathering, swirling,
rising in power and purpose.
Outrage gives voice to millions,
calm in their peacefulness,
strident in their message.
The not-king reeks foolishness,
flails about trying to prove his worth.
His method is diversions and lies,