April 2025
Dedicated to Art and Social Justice
New Posts Published Weekly on Mondays - New Cover Monthly
How Long Can You Hold a Lion on a Leash?

Demonstrators march in Manhattan in just one of the nationwide protests against Donald Trump and Elon Musk on Saturday.
Photo: Charly Triballeau/AFP via Getty Images
I made this drawing, “How Long Can You Hold a Lion on a Leash?” on July 11, 2020, amidst a coagulation of several events. Covid-19 was spreading rapidly, filling hospitals across the world past capacity. In the U.S.A., shootings in Chicago, Atlanta, and Washington DC left 3 children under 12 dead, among many others killed and injured by mass shootings and gun-violence around the country. Black Lives Matter protests and marches were active across the nation.
Meanwhile, Trump held a July 4th rally at Mt. Rushmore where masking was actively discouraged. In his speech, he stated, "In our schools, our newsrooms, even our corporate boardrooms, there is a new far-left fascism that demands absolute allegiance. If you do not speak its language, perform its rituals, recite its mantras, and follow its commandments, then you will be censored, banished, blacklisted, persecuted, and punished."
But he followed this statement by saying, "...I am deploying federal law enforcement to protect our monuments, arrest the rioters, and prosecute offenders to the fullest extent of the law...Under the executive order I signed last week — pertaining to the Veterans’ Memorial Preservation and Recognition Act and other laws — people who damage or deface federal statues or monuments will get a minimum of 10 years in prison," revealing his true desire: the totalitarian domination which he had just stated was fascist and anti-American.
5 years later, we see that continues to be his desire. This drawing was made to invoke the idea that such domination can only last so long. I hope by using the Black Power fist and the image of one of the great African mammals, the lion, I invoke, in particular, the mission of the Black Lives Matter and Black Power movements. Nature will eventually break free.

Zachary Charles (they/he) is a poet who currently lives near Alki Beach, West Seattle with their partner, cat, and dog. They teach Spanish on Vashon Island. Their poetry practice consists of a few pieces: portraits, conversations, and an ongoing effort to compose 10,000 haiku. They are a member of the Cascadia Poetics Lab Youth Committee and Poetry Postcard Fest Project Board. In addition to poetry, they spend creative time on multimedia collage and paintings, and love combining visual art with language art.

Thousands of protesters marched in Portland, Ore.,
protesting President Trump's administration, April 5, 2025,
part of "Hands Off" protests taking place around the country.
Photo: Joni Auden Land/OPB
We are an artistic community that recognizes the intersectionality of all injustices
and believes that art is essential to social change and more justice.
By Craig Kirchner
We left the trash sit too long, chicken paper,
they call it, the scraps and packaging
from what was a delicious Marsala,
made the kitchen unbearable.
The smell gags, the mind knows
immediately, the deterioration of flesh.
By Cheryl Caesar
Nothing has ever been
seen before, nothing like.
Mind without memory.
Life without history.
Actor and audience,
each day he plays anew
on the exhausted screens
of our unwilling eyes.
By Richard Wells
without light
there is no vision
without vision
the people perish.
our leaders are
hollow men
as far from the border
of redemption
as any who have lived
soul sick men
who inflict suffering
as if they had
invented it
By Craig Kirchner
I wrote about it, we argued, not nasty,
but disagreed about whether to leave.
We stayed, I made risotto. We planned
to sleep in the master bedroom closet,
Swedish death cleaned, stocked with
bottled water, a small mattress.
Its closest to the middle of the building,
furthest from the windows, very stable,
if this condo complex blows away or ends up
under water, so will the rest of Florida.
By Craig Kirchner
There is a routine, it starts with getting out of bed
and squirting the sleep from my eyes with Refresh.
I won’t bore you with the bore of the rest,
you have your own to remember.
There have been interruptions to it over the years
that usually involve an infirmity or natural disaster.
I used to play golf twice a month, practice during the week,
now arthritis in my knees makes it too hard to turn.
We had the strongest storm to ever form in the Gulf
relocate sleeping to the closet, away from the windows.
But never in 75 years has the government altered my life,
it always held up its part of the bargain. I paid taxes
and voted. It kept the roads open and the food safe,
never interfered with my daily regimen.
By Miriam Bassuk
No way to encapsulate this period.
No rhyme or reason can iron out
our daily terror squashed deep
in the gutter of our bellies. What
makes it hard, there are no safe-
guards against a regime that lays
waste to all we hold dear, a regime
By Peter Asco
Burdens will be cut down to size
Workload will become much lighter
Regrets will make you laugh
Impossibilities will look within reach
By Robert Kokan
Beneath the tower of the fourteenth street bridge
it's dark and it's the last tired night.
All men now with sorrow filled eyes
and sad contentments of heart
have given over to the dreams of new birth
(when your time comes, it comes
there is nothing a hand or a blood-borne
can do to prevent it).
By Millie Renfrow
Fellow Citizens of the United States of America,
we meet at the axis of a revolution –
both political and social –
sweeping through our national life
such as we have never experienced
in most of our lives to date.
We enter a new war.
What poem will emerge
to fill this void?
There’s the key…
to alter the relationships
between this poet and others…
By Margaret Roncone
We listen to the voice
that says 'grass and stars'
the voice that knows perfectly how to describe
luminescence.
we wait patiently on
the foothold
of March to see early daffodils
and crocus pushing through earth’s cold skin.
By Mary Ellen Talley
(a found collaborative poem created from snippets of a phone chat with houseboundMillie Renfrow, age 84, on 11-16-2020)
Somebody sent me a sketch book
They started some doodles
I kept scribbling
It’s all black ink.
You can go from very light
to very very dark.
By Craig Kirchner
I wanted to leave, you said no.
I wanted you to come with me.
Malta became a reference point,
a not so funny inside joke.
I was no longer betting on America,
a personality disorder was President.
He appointed a sexual assaulter
to be his Secretary of Defense.
By Leszek Chudzinski
“Then they came for the immigrants, and I did not speak out—because I was not an immigrant.”
***
ICE has been given a quota
to catch each day and deport
1,200 to 1,500 illegales
schools
churches
hospitals
houses
raided
people rounded up
in the streets
at work
at home
By Craig R. Kirchner
I’m told constantly not to talk about it.
Half your friends and family will be offended.
You don’t want to express your disgust,
and you can’t quote their guy.
Quoting his remarks is damning,
there’s always a disconnect.
If you take one of his threats,
or rants on his hatred out of context,
you’re accused of misrepresentation.
If you put them back into their context
they become worse, unhinged, long winded.
I don’t want to talk about it, it makes me ill.
By Carsten Cheung
You’d think it’d be
super cool,
but actually
there are many downsides
to being a modern day ninja.
First of all,
it’s not even by choice.
Like ancient Asian prophecy
foretold by American
fortune cookie,
your destiny is decided
at birth.
Black hair?
Dark almond-slanted
shaped eyes?
Male? (especially eldest child)
You are Ninja.
(Exotic-Lotus Ninja if born female).
By Martha Ellen
Oma
She had found a bit of woven, checkered cloth and fashioned it into a diaper for her newborn son. She scrounged some lengths of cloth and thread from wherever she could and embroidered a cap for him. She stitched a cotton gown with flowers. With tenderness she dressed him before she swaddled him in a worn woolen blanket to keep away the chill of the cool morning air. She held him close, kissed his cheek one last time and carefully laid him down on Brabant Street, in Ghent, in the early morning of May 26, 1815.
Cecile and Rosalie were returning to the common house near the port after a long night’s work, as they did every morning, holding hands as European women do when they are friends and as kindred spirits do when seeking the comfort of others who often endured a night of brutality some men were inclined to heap upon those they thought unworthy of any tenderness or care, only to be used and discarded. Cecile lifted the swaddled baby from the street and held him close, her maternal feelings intact, inaccessible to any cruelty that visited her in her harsh life.
They all knew this scene. It was not new. Each knew the role they were compelled to perform in a world that did not value the likes of them as though they were incapable of giving love and unworthy of receiving it.
They took the baby to the police station. He was reared by other loving women in the convent orphanage.
I call her Oma.
By William Doreski
Scolding the world in public
eases the dark congealing
in your shapely, old-fashioned skull.
The coffee shop hums. Urns deplete
as snow whirls in the doorway.
Baked goods hunker on display.
By Craig R. Kirchner
We are being told daily of our incredible freedom
here in the Sunshine state,
where the sun is experiencing the freedom to be hotter
than it has ever been in recorded times.
We are free, as James Madison obviously envisioned,
to openly carry our beloved firearms,
in case we experience a need to defend ourselves during a road rage,
or in case our children are being groomed by lesser than ourselves.
We can carry our assault rifles in the trunk,
in case a particularly bad case of frustration crawls upon us
and we are near the elementary school that scorned us,
as the second amendment suggests.
By Cheryl Caesar
(This poem was originally published in Across the Margin)
On the first day our Facebook pages went black.
We drove to work through a film of tears
and hugged each other in the hallways, unashamed,
and in the women’s room. We talked about renewing passports,
and families in Canada. We avoided referring
to the beginning of The Handmaid’s Tale. We went
on to meet our classes, or conference with students
who complained, “I didn’t know
this assignment would be so evidence-based.”
We kept our blurry eyes front, and flowed
through the day on a current of work and love.
By Bud Sturguess
This morning, I woke to find my manor was burning.
I’d heard rumors about the neighbors being on fire,
or some such story,
but I’d long ago painted my windows black.
When I was stirred awake by
a constant crinkling and popping,
when I saw my Beatlemania collection melting
in psychedelic apocalyptic colors,
I decided it was finally true.
By Neil Vincent Scott - November 10, 2024
turn the news off
turn the music up
let us once again
tend to the garden of goodness and light
rejecting
rebuilding
renewing
as darkness descends
on the trampled flowers of promise
By Russell E. Willis
Tempted to despair,
a better angel
sighs into our souls
some gentle signs of
peace and joy and some
other’s love for us

By Lew Jones
Our new format is to publish weekly posts with a monthly cover art work. We now maintain a collection of accepted submissions available for future weekly posts. Our intent is to be able to more quickly respond to changing world events. So if something is submitted that speaks powerfully to the moment, we may publish that sooner. Please be patient. Once your submission has been accepted, we will post it sometime in the following weeks.
By Lew Jones

Accomplished
Watercolor by Michael Moreth

By Lew Jones

Boisterous
Watercolor by Michael Moreth

By Lew Jones
Easement
Watercolor by Michael Moreth


By Becca Lavin
and if nothing more
she would feel some connection
to whatever myth she could conjure
in the moment
somehow she would gather strength
weathered, worn and beautiful
like autumns’ leaves
to her basket-bosom